Zubissou Sounds

The roomArtists › Bakar

Where to start with Bakar

Start with I got a lot to learn chat — BEASTIE. That is the track sitting closest to the centre of all 14 Bakar tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.

This page is not a discography and not a ranking. It describes exactly one thing: the 14 Bakar tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 14 tracks, it is the one nearest the average position on the four knobs the room runs on. Nothing here calls any record better than any other.

The collection leans hard on one record: 11 of the 14 tracks come from Badkid alone.

The years need a caveat: 11 of 11 dated tracks land in the 2010s and come from 1 record, while the rest come from elsewhere — the mark of a reissue carrying its own date rather than the music's. Read the year column below as the date on the copy in this room, not the date the music arrived in the world.

The density knob swings 92 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.

14tracks in the room
2albums
2018–2018years covered
r&bfiled under

Three ways in

The one track, if you only play one

I got a lot to learn chat — BEASTIE. Of the 14 Bakar tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.

If you want the sparse end

Sonny — Badkid, 2018. The lowest density reading of any Bakar track in the room (4 out of 100). This is as far towards sparse as the collection goes.

If you want the wall end

Big Dreams — Badkid, 2018. The highest density reading here, at 96 out of 100 — a 92-point swing across the collection towards wall.

Where Bakar sits in the room

Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Bakar's average coordinates and the range they cover.

KnobAverageRangeLow → high
mood4511–72melancholy → euphoric
energy547–89ambient → driving
density554–96sparse → wall
head · body6842–88cerebral → groove

All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.

What is here, record by record

AlbumYearTracks
Badkid201811
BEASTIE3

Every Bakar track in the room

TrackAlbumYear
4amBadkid2018
All InBadkid2018
BadlandsBadkid2018
Big DreamsBadkid2018
Ctrl Alt DelBadkid2018
HandfulBadkid2018
Million MilesBadkid2018
One WayBadkid2018
SonnyBadkid2018
UnhealthyBadkid2018
WtfBadkid2018
BackseatBEASTIE
I got a lot to learn chatBEASTIE
Lonyo!BEASTIE

Near neighbours in this room

These are the artists whose average knob position sits nearest to Bakar's in this room. It is a coordinate match, not a claim that they sound alike.

What the open databases say

MusicBrainz lists Bakar as a solo artist, from Camden, the United Kingdom and born in 1994. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.

Questions

How many Bakar tracks are in Zubissou Sounds?

There are 14, across 2 albums. 11 of them carry a date, running from 2018 to 2018. That is the whole of what this room holds — it is one person's collection, not a discography.

Is this a best-of, or a ranking?

No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.

Where do the knob numbers come from?

They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 14 of these tracks have been read individually — nothing on this page is running on a default.

Can I listen to these here?

Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 14 of these 14 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.

Get on the list

The room is in private beta — 14,971 tracks by 5,585 artists, including these. Leave an address and you go in the queue in order. No newsletter, no marketing, no third parties: the address is used once, to let you in.