Where to start with Can
Start with The Empress And The Ukraine King — Limited Edition, 1994. That is the track sitting closest to the centre of all 10 Can tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 10 Can tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 10 tracks, it is the one nearest the average position on the four knobs the room runs on. Nothing here calls any record better than any other.
The dates here run from 1970 to 2014. They are the dates attached to the releases in this room rather than recording dates, so the later ones are likely reissues — but 44 years is still more than one version of the artist.
Every track is filed under art rock; nothing here crosses into another genre.
Three ways in
The one track, if you only play one
The Empress And The Ukraine King — Limited Edition, 1994. Of the 10 Can tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.
If you want the cerebral end
Tango Whiskyman — Soundtracks, 1970. The lowest head/body reading of any Can track in the room (40 out of 100). This is as far towards cerebral as the collection goes.
If you want the groove end
Moonshake — Future Days, 1973. The highest head/body reading here, at 72 out of 100 — a 32-point swing across the collection towards groove.
Where Can sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Can's average coordinates and the range they cover.
| Knob | Average | Range | Low → high |
|---|---|---|---|
| mood | 51 | 42–62 | melancholy → euphoric |
| energy | 53 | 40–68 | ambient → driving |
| density | 52 | 44–62 | sparse → wall |
| head · body | 57 | 40–72 | cerebral → groove |
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| Soundtracks | 1970 | 2 |
| Future Days | 1973 | 2 |
| Limited Edition | 1994 | 1 |
| Delay 1968 | 2014 | 1 |
| Flow Motion | 1976 | 1 |
| Can | 1979 | 1 |
| Out of Reach | 2012 | 1 |
| Ege Bamyasi | 1972 | 1 |
Every Can track in the room
| Track | Album | Year |
|---|---|---|
| Mother Sky | Soundtracks | 1970 |
| Tango Whiskyman | Soundtracks | 1970 |
| One More Night | Ege Bamyasi | 1972 |
| Future Days | Future Days | 1973 |
| Moonshake | Future Days | 1973 |
| Laugh Till You Cry - Live Till You Die (O.R.N.) | Flow Motion | 1976 |
| All Gates Open | Can | 1979 |
| The Empress And The Ukraine King | Limited Edition | 1994 |
| Serpentine | Out of Reach | 2012 |
| Little Star Of Bethlehem | Delay 1968 | 2014 |
Near neighbours in this room
These are the artists whose average knob position sits nearest to Can's in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with David Bowie — art rock, 21 tracks
- Where to start with The Voidz — art rock, 24 tracks
- Where to start with Mitch Murder — synthwave, 15 tracks
What the open databases say
MusicBrainz lists Can as a group, from Germany and formed in 1968. Its contributors tag the artist progressive rock, krautrock, german, funk rock and psychedelic rock. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.
Questions
How many Can tracks are in Zubissou Sounds?
There are 10, across 8 albums. 10 of them carry a date, running from 1970 to 2014. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 10 of these tracks have been read individually — nothing on this page is running on a default.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 10 of these 10 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.