The room › Artists › Dan Mason ダン·メイソン
Where to start with Dan Mason ダン·メイソン
Start with Waiting for You — Miami Virtual, 2017. That is the track sitting closest to the centre of all 13 Dan Mason ダン·メイソン tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 13 Dan Mason ダン·メイソン tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 13 tracks, it is the one nearest the average position on the four knobs the room runs on. Nothing here calls any record better than any other.
The collection leans hard on one record: 6 of the 13 tracks come from Miami Virtual alone.
Every dated track here falls between 2016 and 2018, so this room holds one stretch of the discography and not the whole of it.
Every track is filed under vaporwave; nothing here crosses into another genre.
The head/body knob swings 50 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.
Three ways in
The one track, if you only play one
Waiting for You — Miami Virtual, 2017. Of the 13 Dan Mason ダン·メイソン tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.
If you want the cerebral end
I Miss You — Void, 2018. The lowest head/body reading of any Dan Mason ダン·メイソン track in the room (16 out of 100). This is as far towards cerebral as the collection goes.
If you want the groove end
Natsu Ai — Summer Love, 2016. The highest head/body reading here, at 66 out of 100 — a 50-point swing across the collection towards groove.
Where Dan Mason ダン·メイソン sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Dan Mason ダン·メイソン's average coordinates and the range they cover.
| Knob | Average | Range | Low → high |
|---|---|---|---|
| mood | 47 | 28–71 | melancholy → euphoric |
| energy | 49 | 32–67 | ambient → driving |
| density | 50 | 33–62 | sparse → wall |
| head · body | 52 | 16–66 | cerebral → groove |
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| Miami Virtual | 2017 | 6 |
| Void | 2018 | 3 |
| Summertime EP | 2017 | 2 |
| Summer Love | 2016 | 2 |
Every Dan Mason ダン·メイソン track in the room
| Track | Album | Year |
|---|---|---|
| Love at First Sight | Summer Love | 2016 |
| Natsu Ai | Summer Love | 2016 |
| Make Me Love You | Miami Virtual | 2017 |
| Partly 曇った | Miami Virtual | 2017 |
| Waiting for You | Miami Virtual | 2017 |
| と言って別れ | Miami Virtual | 2017 |
| 今夜 | Miami Virtual | 2017 |
| 夜 | Miami Virtual | 2017 |
| Midnight 夢 | Summertime EP | 2017 |
| Online Shopping | Summertime EP | 2017 |
| I Miss You | Void | 2018 |
| Now or Never (You and Me) | Void | 2018 |
| Wishful Thinking | Void | 2018 |
Near neighbours in this room
These are the artists whose average knob position sits nearest to Dan Mason ダン·メイソン's in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with luxury elite — vaporwave, 16 tracks
- Where to start with Cosmic Cycler — vaporwave, 15 tracks
- Where to start with Maitro — vaporwave, 41 tracks
What the open databases say
MusicBrainz lists Dan Mason ダン·メイソン as a solo artist and from Orlando. Its contributors tag the artist vaporwave. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.
Questions
How many Dan Mason ダン·メイソン tracks are in Zubissou Sounds?
There are 13, across 4 albums. 13 of them carry a date, running from 2016 to 2018. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 13 of these tracks have been read individually — nothing on this page is running on a default.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 13 of these 13 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.