Zubissou Sounds

The roomArtists › ESKA

Where to start with ESKA

Start with Gatekeeper — ESKA (10th Anniversary Edition), 2015. That is the track sitting closest to the centre of all 10 ESKA tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.

This page is not a discography and not a ranking. It describes exactly one thing: the 10 ESKA tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 10 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.

The collection leans hard on one record: 8 of the 10 tracks come from The Ordinary Life Of A Magic Woman alone.

The years need a caveat: 8 of 10 dated tracks land in the 2020s and come from 1 record, while the rest come from elsewhere — the mark of a reissue carrying its own date rather than the music's. Read the year column below as the date on the copy in this room, not the date the music arrived in the world.

Every track is filed under jazz; nothing here crosses into another genre.

10tracks in the room
2albums
2015–2025years covered
jazzfiled under

Three ways in

The one track, if you only play one

Gatekeeper — ESKA (10th Anniversary Edition), 2015. Of the 10 ESKA tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.

If you want the cerebral end

Daddy Long Legs — The Ordinary Life Of A Magic Woman, 2025. The lowest head/body reading of any ESKA track in the room (45 out of 100). This is as far towards cerebral as the collection goes.

If you want the groove end

Wake Me Up / Magic Woman — The Ordinary Life Of A Magic Woman, 2025. The highest head/body reading here, at 65 out of 100 — a 20-point swing across the collection towards groove.

Where ESKA sits in the room

Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are ESKA's average coordinates and the range they cover.

KnobAverageRangeLow → high
mood6560–72melancholy → euphoric
energy5345–60ambient → driving
density5450–58sparse → wall
head · body5845–65cerebral → groove

All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.

What is here, record by record

AlbumYearTracks
The Ordinary Life Of A Magic Woman20258
ESKA (10th Anniversary Edition)20152

Every ESKA track in the room

TrackAlbumYear
English SkyESKA (10th Anniversary Edition)2015
GatekeeperESKA (10th Anniversary Edition)2015
HumanThe Ordinary Life Of A Magic Woman2023
All The Way DownThe Ordinary Life Of A Magic Woman2025
Daddy Long LegsThe Ordinary Life Of A Magic Woman2025
FazerfolkThe Ordinary Life Of A Magic Woman2025
Snoozing FriendsThe Ordinary Life Of A Magic Woman2025
The EdgeThe Ordinary Life Of A Magic Woman2025
TouchThe Ordinary Life Of A Magic Woman2025
Wake Me Up / Magic WomanThe Ordinary Life Of A Magic Woman2025

Near neighbours in this room

These are the artists whose average knob position sits nearest to ESKA's in this room. It is a coordinate match, not a claim that they sound alike.

What the open databases say

MusicBrainz lists ESKA as a solo artist and from the United Kingdom. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.

Questions

How many ESKA tracks are in Zubissou Sounds?

There are 10, across 2 albums. 10 of them carry a date, running from 2015 to 2025. That is the whole of what this room holds — it is one person's collection, not a discography.

Is this a best-of, or a ranking?

No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.

Where do the knob numbers come from?

They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 10 of these tracks have been read individually — nothing on this page is running on a default.

Can I listen to these here?

Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 10 of these 10 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.

Get on the list

The room is in private beta — 14,971 tracks by 5,585 artists, including these. Leave an address and you go in the queue in order. No newsletter, no marketing, no third parties: the address is used once, to let you in.