Zubissou Sounds

The roomArtists › Hiroshima

Where to start with Hiroshima

Start with Stay Away — Another Place, 1986. That is the track sitting closest to the centre of all 24 Hiroshima tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.

This page is not a discography and not a ranking. It describes exactly one thing: the 24 Hiroshima tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 24 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.

Every track is filed under smooth jazz; nothing here crosses into another genre.

The head/body knob swings 63 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.

24tracks in the room
7albums
1979–2016years covered
smooth jazzfiled under

Three ways in

The one track, if you only play one

Stay Away — Another Place, 1986. Of the 24 Hiroshima tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.

If you want the cerebral end

Ren — Third Generation, 1983. The lowest head/body reading of any Hiroshima track in the room (12 out of 100). This is as far towards cerebral as the collection goes.

If you want the groove end

The Game — Another Place, 1986. The highest head/body reading here, at 75 out of 100 — a 63-point swing across the collection towards groove.

Where Hiroshima sits in the room

Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Hiroshima's average coordinates and the range they cover.

KnobAverageRangeLow → high
mood5927–74melancholy → euphoric
energy438–69ambient → driving
density4720–62sparse → wall
head · body5312–75cerebral → groove

All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.

What is here, record by record

AlbumYearTracks
Hiroshima19796
Best Of Hiroshima19945
Another Place19865
Go19873
Third Generation19832
Songs With Words20162
J-Town Beat20131

Every Hiroshima track in the room

TrackAlbumYear
Da-DaHiroshima1979
KokoroHiroshima1979
Lion DanceHiroshima1979
Long Time LoveHiroshima1979
Roomful of MirrorsHiroshima1979
Taiko SongHiroshima1979
From the HeartThird Generation1983
RenThird Generation1983
One WishAnother Place1986
Stay AwayAnother Place1986
The GameAnother Place1986
UndercoverAnother Place1986
What's It To YaAnother Place1986
311Go1987
Hawaiian electricGo1987
No. 9Go1987
Hawaiian ElectricBest Of Hiroshima1994
I've Been Here BeforeBest Of Hiroshima1994
Island WorldBest Of Hiroshima1994
One WishBest Of Hiroshima1994
San SayBest Of Hiroshima1994
State of MindJ-Town Beat2013
Roomful of MirrorsSongs With Words2016
TaboSongs With Words2016

Near neighbours in this room

These are the artists whose average knob position sits nearest to Hiroshima's in this room. It is a coordinate match, not a claim that they sound alike.

What the open databases say

MusicBrainz lists Hiroshima as a group, from Los Angeles, the United States and formed in 1974. Its contributors tag the artist jazz fusion, jazz-funk, contemporary jazz and smooth jazz. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.

Questions

How many Hiroshima tracks are in Zubissou Sounds?

There are 24, across 7 albums. 24 of them carry a date, running from 1979 to 2016. That is the whole of what this room holds — it is one person's collection, not a discography.

Is this a best-of, or a ranking?

No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.

Where do the knob numbers come from?

They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 24 of these tracks have been read individually — nothing on this page is running on a default.

Can I listen to these here?

Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 24 of these 24 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.

Get on the list

The room is in private beta — 14,971 tracks by 5,585 artists, including these. Leave an address and you go in the queue in order. No newsletter, no marketing, no third parties: the address is used once, to let you in.