The room › Artists › Little Richard
Where to start with Little Richard
Start with All Around The World — Specialty Sessions, 1989. That is the track sitting closest to the centre of all 73 Little Richard tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 73 Little Richard tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 73 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.
The collection leans hard on one record: 50 of the 73 tracks come from Specialty Sessions alone.
The years need a caveat: 50 of 50 dated tracks land in the 1980s and come from 1 record, while the rest come from elsewhere — the mark of a reissue carrying its own date rather than the music's. Read the year column below as the date on the copy in this room, not the date the music arrived in the world.
Every track is filed under rock and roll; nothing here crosses into another genre.
One caveat worth stating: the knob positions across these tracks barely move, which usually means they were set in a batch rather than one at a time. Treat the coordinates below as approximate.
Three ways in
The one track, if you only play one
All Around The World — Specialty Sessions, 1989. All 73 Little Richard tracks here carry the same reading, so the knobs cannot single one out. This is the pick from among them that the room can name a record and a year for, which is the most an entry point needs in order to be findable. A better answer waits on somebody listening track by track.
Only one entry point is offered for Little Richard. The room holds a single reading for this artist rather than one per track, so every track here sits at the same coordinate and there are no opposite ends to point at. That is a gap in what has been listened to, not a claim that the music never moves.
Where Little Richard sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Little Richard's average coordinates and the range they cover.
| Knob | Average | Range | Low → high |
|---|---|---|---|
| mood | 75 | 75–75 | melancholy → euphoric |
| energy | 85 | 85–85 | ambient → driving |
| density | 60 | 60–60 | sparse → wall |
| head · body | 85 | 85–85 | cerebral → groove |
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| Specialty Sessions | 1989 | 50 |
| The Specialty Sessions | — | 23 |
Every Little Richard track in the room
| Track | Album | Year |
|---|---|---|
| All Around The World | Specialty Sessions | 1989 |
| All Night Long - Demo | Specialty Sessions | 1989 |
| All Night Long - Takes 6 & 7 | Specialty Sessions | 1989 |
| Baby | Specialty Sessions | 1989 |
| Baby - Demo | Specialty Sessions | 1989 |
| Baby - Take 1 | Specialty Sessions | 1989 |
| Baby Face | Specialty Sessions | 1989 |
| Can't Believe You Wanna Leave | Specialty Sessions | 1989 |
| Chicken Little Baby | Specialty Sessions | 1989 |
| Directly From My Heart | Specialty Sessions | 1989 |
| Good Golly, Miss Molly - Fast Version | Specialty Sessions | 1989 |
| Good Golly, Miss Molly - Take 9 | Specialty Sessions | 1989 |
| Heeby-Jeebies | Specialty Sessions | 1989 |
| Heeby-Jeebies - False Starts 6 & 7, Take 9 | Specialty Sessions | 1989 |
| Heeby-Jeebies-Love | Specialty Sessions | 1989 |
| Hey-Hey-Hey-Hey (Goin' Back To Birmingham) | Specialty Sessions | 1989 |
| Hound Dog - Rehearsal | Specialty Sessions | 1989 |
| I Got It | Specialty Sessions | 1989 |
| I'm Just A Lonely Guy (All Alone) | Specialty Sessions | 1989 |
| Jenny, Jenny | Specialty Sessions | 1989 |
| Kansas City | Specialty Sessions | 1989 |
| Kansas City - Take 2 | Specialty Sessions | 1989 |
| Kansas City / Hey-Hey-Hey-Hey - Medley | Specialty Sessions | 1989 |
| Kansas City / Hey-Hey-Hey-Hey - Medley / False Starts 5, 6 & 7 | Specialty Sessions | 1989 |
| Lonesome And Blue | Specialty Sessions | 1989 |
| Long Tall Sally | Specialty Sessions | 1989 |
| Long Tall Sally (The Thing) - Take 1 | Specialty Sessions | 1989 |
| Long Tall Sally (The Thing) - Take 6 | Specialty Sessions | 1989 |
| Lucille | Specialty Sessions | 1989 |
| Maybe I'm Right - Take 7 | Specialty Sessions | 1989 |
| Miss Ann | Specialty Sessions | 1989 |
| Miss Ann - Take 8 | Specialty Sessions | 1989 |
| Oh Why? | Specialty Sessions | 1989 |
| Ready Teddy | Specialty Sessions | 1989 |
| Ready Teddy - Take 3 | Specialty Sessions | 1989 |
| Rip It Up | Specialty Sessions | 1989 |
| Rip It Up - Rehearsal | Specialty Sessions | 1989 |
| Shake A Hand | Specialty Sessions | 1989 |
| She's Got It | Specialty Sessions | 1989 |
| She's My Star - Demo / A Cappella | Specialty Sessions | 1989 |
| She's My Star - Rehearsal | Specialty Sessions | 1989 |
| Slippin' And Slidin' (Peepin' And Hidin') | Specialty Sessions | 1989 |
| Slippin' And Slidin' (Peepin' And Hidin') - Demo / Piano & Brushes Only | Specialty Sessions | 1989 |
| Slippin' And Slidin' (Peepin' And Hidin') - Demo / Piano & Drums Only | Specialty Sessions | 1989 |
| Slippin' And Slidin' (Peepin' And Hidin') - Demo / Piano Only | Specialty Sessions | 1989 |
| The Most I Can Offer (Just My Heart) - Take 3 | Specialty Sessions | 1989 |
| True Fine Mama | Specialty Sessions | 1989 |
| Tutti Frutti | Specialty Sessions | 1989 |
| Tutti Frutti - Take 2 | Specialty Sessions | 1989 |
| Wonderin' - Take 8 | Specialty Sessions | 1989 |
| Annie Is Back - False Start / Take 3 | The Specialty Sessions | — |
| Annie Is Back - Take 7 | The Specialty Sessions | — |
| Bama Lama Bama Loo - Take 10 | The Specialty Sessions | — |
| Boo Hoo Hoo Hoo (I'll Never Let You Go) | The Specialty Sessions | — |
| By The Light Of The Silvery Moon | The Specialty Sessions | — |
| Early One Morning | The Specialty Sessions | — |
| Gene Nobles' "Royal Crown Hairdressing" Commercials | The Specialty Sessions | — |
| Good Morning Little School Girl - Takes 1 & 3 | The Specialty Sessions | — |
| I'll Never Let You Go (Boo Hoo Hoo Hoo) - Take 6 | The Specialty Sessions | — |
| Keep A Knockin' | The Specialty Sessions | — |
| Keep A-Knockin' - Take 4 | The Specialty Sessions | — |
| Miss Ann - False Start / Take 6 | The Specialty Sessions | — |
| Ooh! My Soul | The Specialty Sessions | — |
| Ooh! My Soul - Take 8 | The Specialty Sessions | — |
| Ooh! My Soul - Take 9 | The Specialty Sessions | — |
| Poor Boy Paul - Take 8 | The Specialty Sessions | — |
| Send Me Some Lovin' | The Specialty Sessions | — |
| She Knows How To Rock | The Specialty Sessions | — |
| She Knows How To Rock - False Starts 1, 2 & 3 | The Specialty Sessions | — |
| The Girl Can't Help It | The Specialty Sessions | — |
| The Girl Can't Help It - Take 9 | The Specialty Sessions | — |
| Well Alright! - False Starts 1 & 2 / Take 3 | The Specialty Sessions | — |
| Whole Lotta Shakin' Goin' On - Rehearsal | The Specialty Sessions | — |
Near neighbours in this room
These are the artists whose average knob position sits nearest to Little Richard's in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with James Brown — funk, 56 tracks
- Where to start with Bohannon — soul / funk, 11 tracks
- Where to start with Fela Kuti — afrobeat, 13 tracks
What the open databases say
This room has no MusicBrainz record for Little Richard, so there are no external facts to report here — only what is in the collection itself.
Questions
How many Little Richard tracks are in Zubissou Sounds?
There are 73, across 2 albums. 50 of them carry a date, running from 1989 to 1989. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, not by audio analysis and not from a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. For Little Richard the room holds one reading covering the whole catalogue rather than a separate one for each track, so all 73 sit at the same coordinate. It is a real judgement about the artist, and a coarser one than a per-track number would be.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 73 of these 73 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.