The room › Artists › Peter Cat Recording Co.
Where to start with Peter Cat Recording Co.
Start with Happiness — Portrait of a Time: 2010-2016, 2018. That is the track sitting closest to the centre of all 20 Peter Cat Recording Co. tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 20 Peter Cat Recording Co. tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 20 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.
The collection leans hard on one record: 10 of the 20 tracks come from Bismillah alone.
The years need a caveat: 19 of 20 dated tracks land in the 2010s and come from 2 records, while the rest come from elsewhere — the mark of a reissue carrying its own date rather than the music's. Read the year column below as the date on the copy in this room, not the date the music arrived in the world.
The head/body knob swings 48 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.
Three ways in
The one track, if you only play one
Happiness — Portrait of a Time: 2010-2016, 2018. Of the 20 Peter Cat Recording Co. tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.
If you want the cerebral end
Freezing — Bismillah, 2019. The lowest head/body reading of any Peter Cat Recording Co. track in the room (30 out of 100). This is as far towards cerebral as the collection goes.
If you want the groove end
Where the Money Flows — Bismillah, 2019. The highest head/body reading here, at 78 out of 100 — a 48-point swing across the collection towards groove.
Where Peter Cat Recording Co. sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Peter Cat Recording Co.'s average coordinates and the range they cover.
| Knob | Average | Range | Low → high |
|---|---|---|---|
| mood | 52 | 32–70 | melancholy → euphoric |
| energy | 43 | 25–68 | ambient → driving |
| density | 52 | 40–68 | sparse → wall |
| head · body | 50 | 30–78 | cerebral → groove |
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| Bismillah | 2019 | 10 |
| Portrait of a Time: 2010-2016 | 2018 | 9 |
| Foolmuse | 2024 | 1 |
Every Peter Cat Recording Co. track in the room
| Track | Album | Year |
|---|---|---|
| Bebe de Vyah | Portrait of a Time: 2010-2016 | 2018 |
| Clown on the 22nd Dance Floor | Portrait of a Time: 2010-2016 | 2018 |
| Copulations | Portrait of a Time: 2010-2016 | 2018 |
| Flies | Portrait of a Time: 2010-2016 | 2018 |
| Hail Piano | Portrait of a Time: 2010-2016 | 2018 |
| Happiness | Portrait of a Time: 2010-2016 | 2018 |
| I'm Home | Portrait of a Time: 2010-2016 | 2018 |
| Love Demons | Portrait of a Time: 2010-2016 | 2018 |
| Portrait of a Time | Portrait of a Time: 2010-2016 | 2018 |
| Floated By | Bismillah | 2019 |
| Freezing | Bismillah | 2019 |
| Heera | Bismillah | 2019 |
| I'm This | Bismillah | 2019 |
| Memory Box | Bismillah | 2019 |
| Remain in Me | Bismillah | 2019 |
| Shit I'm Dreaming | Bismillah | 2019 |
| Soulless Friends | Bismillah | 2019 |
| Vishnu | Bismillah | 2019 |
| Where the Money Flows | Bismillah | 2019 |
| Foolmuse | Foolmuse | 2024 |
Near neighbours in this room
These are the artists whose average knob position sits nearest to Peter Cat Recording Co.'s in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with Akira Inoue — city pop, 21 tracks
- Where to start with Kiyotaka Sugiyama — city pop, 39 tracks
- Where to start with CASIOPEA — jazz fusion, 13 tracks
What the open databases say
MusicBrainz lists Peter Cat Recording Co. as from India. Its contributors tag the artist indian jazz fusion, indie pop and jazz pop. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.
Questions
How many Peter Cat Recording Co. tracks are in Zubissou Sounds?
There are 20, across 3 albums. 20 of them carry a date, running from 2018 to 2024. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 20 of these tracks have been read individually — nothing on this page is running on a default.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 20 of these 20 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.