The room › Artists › Pierre Fournier
Where to start with Pierre Fournier
Start with Suite for Solo Cello No. 1 in G Major, BWV 1007: 1. Prélude — J.S. Bach, Six Suites for Solo Cello: Pierre Fournier. That is the track sitting closest to the centre of all 36 Pierre Fournier tracks in Zubissou Sounds — a listening room of 15,847 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 36 Pierre Fournier tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 36 tracks, it is the one nearest the average position on the four knobs the room runs on. Nothing here calls any record better than any other.
It is deep rather than broad: 36 tracks drawn from only 1 record.
Every track is filed under classical; nothing here crosses into another genre.
Three ways in
The one track, if you only play one
Suite for Solo Cello No. 1 in G Major, BWV 1007: 1. Prélude — J.S. Bach, Six Suites for Solo Cello: Pierre Fournier. Of the 36 Pierre Fournier tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.
If you want the ambient end
Suite for Solo Cello No. 1 in G Major, BWV 1007: 4. Sarabande — J.S. Bach, Six Suites for Solo Cello: Pierre Fournier. The lowest energy reading of any Pierre Fournier track in the room (20 out of 100). This is as far towards ambient as the collection goes.
If you want the driving end
Suite for Solo Cello No. 6 in D Major, BWV 1012: 6. Gigue — J.S. Bach, Six Suites for Solo Cello: Pierre Fournier. The highest energy reading here, at 40 out of 100 — a 20-point swing across the collection towards driving.
Where Pierre Fournier sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Pierre Fournier's average coordinates and the range they cover.
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — | 36 |
Every Pierre Fournier track in the room
| Track | Album | Year |
|---|---|---|
| Suite for Solo Cello No. 1 in G Major, BWV 1007: 1. Prélude | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 1 in G Major, BWV 1007: 2. Allemande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 1 in G Major, BWV 1007: 3. Courante | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 1 in G Major, BWV 1007: 4. Sarabande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 1 in G Major, BWV 1007: 5. Menuet I & II | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 1 in G Major, BWV 1007: 6. Gigue | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 2 in D Minor, BWV 1008: 1. Prélude | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 2 in D Minor, BWV 1008: 2. Allemande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 2 in D Minor, BWV 1008: 3. Courante | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 2 in D Minor, BWV 1008: 4. Sarabande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 2 in D Minor, BWV 1008: 5. Menuet I & II | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 2 in D Minor, BWV 1008: 6. Gigue | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 3 in C Major, BWV 1009: 1. Prélude | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 3 in C Major, BWV 1009: 2. Allemande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 3 in C Major, BWV 1009: 3. Courante | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 3 in C Major, BWV 1009: 4. Sarabande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 3 in C Major, BWV 1009: 5. Bourrée I & II | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 3 in C Major, BWV 1009: 6. Gigue | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 4 in E-Flat Major, BWV 1010: 1. Prélude | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 4 in E-Flat Major, BWV 1010: 2. Allemande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 4 in E-Flat Major, BWV 1010: 3. Courante | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 4 in E-Flat Major, BWV 1010: 4. Sarabande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 4 in E-Flat Major, BWV 1010: 5. Bourrée I & II | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 4 in E-Flat Major, BWV 1010: 6. Gigue | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 5 in C Minor, BWV 1011: 1. Prélude | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 5 in C Minor, BWV 1011: 2. Allemande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 5 in C Minor, BWV 1011: 3. Courante | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 5 in C Minor, BWV 1011: 4. Sarabande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 5 in C Minor, BWV 1011: 5. Gavotte I & II | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 5 in C Minor, BWV 1011: 6. Gigue | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 6 in D Major, BWV 1012: 1. Prélude | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 6 in D Major, BWV 1012: 2. Allemande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 6 in D Major, BWV 1012: 3. Courante | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 6 in D Major, BWV 1012: 4. Sarabande | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 6 in D Major, BWV 1012: 5. Gavotte I & II | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
| Suite for Solo Cello No. 6 in D Major, BWV 1012: 6. Gigue | J.S. Bach, Six Suites for Solo Cello: Pierre Fournier | — |
Near neighbours in this room
These are the artists whose average knob position sits nearest to Pierre Fournier's in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with Frédéric Chopin, Arthur Rubinstein — classical, 19 tracks
- Where to start with Víkingur Ólafsson — classical, 35 tracks
- Where to start with Claude Debussy, Angela Hewitt — classical, 18 tracks
What the open databases say
This room has no MusicBrainz record for Pierre Fournier, so there are no external facts to report here — only what is in the collection itself.
Questions
How many Pierre Fournier tracks are in Zubissou Sounds?
There are 36, across 1 album. 0 of them carry a date, running from 0 to 0. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 36 of these tracks have been read individually — nothing on this page is running on a default.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 36 of these 36 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.