The room › Artists › Ryuichi Sakamoto

Where to start with Ryuichi Sakamoto

Start with Dennogiwa — Smoochy, 1995. That is the track sitting closest to the centre of all 164 Ryuichi Sakamoto tracks in Zubissou Sounds — a listening room of 15,847 tracks placed one at a time by hand, not an algorithm.

This page is not a discography and not a ranking. It describes exactly one thing: the 164 Ryuichi Sakamoto tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 164 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.

It is spread thin and wide — 164 tracks across 20 different records, which is a browsing history rather than a shelf of favourites.

The dates here run from 1978 to 2023. They are the dates attached to the releases in this room rather than recording dates, so the later ones are likely reissues — but 45 years is still more than one version of the artist.

The tracks are filed across 4 genres, most often electronic, japanese classical and ambient, so the room does not treat this as a single-shelf artist.

The density knob swings 92 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.

Three ways in

The one track, if you only play one

Dennogiwa — Smoochy, 1995. Of the 164 Ryuichi Sakamoto tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.

If you want the sparse end

20220302 - sarabande — 12, 2023. The lowest density reading of any Ryuichi Sakamoto track in the room (1 out of 100). This is as far towards sparse as the collection goes.

If you want the wall end

RISKY — NEO GEO, 1987. The highest density reading here, at 93 out of 100 — a 92-point swing across the collection towards wall.

Where Ryuichi Sakamoto sits in the room

Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Ryuichi Sakamoto's average coordinates and the range they cover.

All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.

What is here, record by record

Every Ryuichi Sakamoto track in the room

Near neighbours in this room

These are the artists whose average knob position sits nearest to Ryuichi Sakamoto's in this room. It is a coordinate match, not a claim that they sound alike.

• Where to start with Aphex Twin — electronic, 76 tracks
• Where to start with Bibio — electronic, 15 tracks
• Where to start with Culprate — electronic, 11 tracks

What the open databases say

MusicBrainz lists Ryuichi Sakamoto as a solo artist, from Nakano, Japan and born in 1952. Its contributors tag the artist ambient, film score, art pop and electronic. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.

Questions

How many Ryuichi Sakamoto tracks are in Zubissou Sounds?

There are 164, across 20 albums. 154 of them carry a date, running from 1978 to 2023. That is the whole of what this room holds — it is one person's collection, not a discography.

Is this a best-of, or a ranking?

No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.

Where do the knob numbers come from?

They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 164 of these tracks have been read individually — nothing on this page is running on a default.

Can I listen to these here?

Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 164 of these 164 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.