Where to start with The Wake
Start with Plastic Flowers — Here Comes Everybody + Singles, 2002. That is the track sitting closest to the centre of all 23 The Wake tracks in Zubissou Sounds — a listening room of 15,847 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 23 The Wake tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 23 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.
The collection leans hard on one record: 16 of the 23 tracks come from Here Comes Everybody + Singles alone.
The years need a caveat: 16 of 16 dated tracks land in the 2000s and come from 1 record, while the rest come from elsewhere — the mark of a reissue carrying its own date rather than the music's. Read the year column below as the date on the copy in this room, not the date the music arrived in the world.
Every track is filed under post-punk; nothing here crosses into another genre.
Three ways in
The one track, if you only play one
Plastic Flowers — Here Comes Everybody + Singles, 2002. Of the 23 The Wake tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.
If you want the ambient end
Of the Matter — Here Comes Everybody + Singles, 2002. The lowest energy reading of any The Wake track in the room (33 out of 100). This is as far towards ambient as the collection goes.
If you want the driving end
O Pamela — Here Comes Everybody + Singles, 2002. The highest energy reading here, at 53 out of 100 — a 20-point swing across the collection towards driving.
Where The Wake sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are The Wake's average coordinates and the range they cover.
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| Here Comes Everybody + Singles | 2002 | 16 |
| Here Comes Everybody | — | 7 |
Every The Wake track in the room
| Track | Album | Year |
|---|---|---|
| All I Asked You to Do | Here Comes Everybody + Singles | 2002 |
| Everybody Works so Hard - 12" Mix | Here Comes Everybody + Singles | 2002 |
| Furious Sea | Here Comes Everybody + Singles | 2002 |
| Gruesome Castle | Here Comes Everybody + Singles | 2002 |
| Here Comes Everybody | Here Comes Everybody + Singles | 2002 |
| Melancholy Man | Here Comes Everybody + Singles | 2002 |
| O Pamela | Here Comes Everybody + Singles | 2002 |
| Of the Matter | Here Comes Everybody + Singles | 2002 |
| Of the Matter - Version | Here Comes Everybody + Singles | 2002 |
| Pale Spectre | Here Comes Everybody + Singles | 2002 |
| Plastic Flowers | Here Comes Everybody + Singles | 2002 |
| Sail Through | Here Comes Everybody + Singles | 2002 |
| Send Them Away | Here Comes Everybody + Singles | 2002 |
| Talk About the Past - 12" Mix | Here Comes Everybody + Singles | 2002 |
| Torn Calendar | Here Comes Everybody + Singles | 2002 |
| World of Her Own | Here Comes Everybody + Singles | 2002 |
| Everybody Works so Hard - 7-Inch Version | Here Comes Everybody | — |
| Make You Understand - Radio Session | Here Comes Everybody | — |
| Rise and Shine - Radio Session | Here Comes Everybody | — |
| Talk About the Past - 7-Inch Version | Here Comes Everybody | — |
| Talk About the Past - Radio Session | Here Comes Everybody | — |
| The Calendar - Radio Session | Here Comes Everybody | — |
| Torn Calendar - Dub Version | Here Comes Everybody | — |
Near neighbours in this room
These are the artists whose average knob position sits nearest to The Wake's in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with Nick Cave & The Bad Seeds — post-punk, 41 tracks
- Where to start with Joy Division — post-punk, 23 tracks
- Where to start with Aphex Twin — electronic, 76 tracks
What the open databases say
MusicBrainz lists The Wake as a group, from Glasgow, the United Kingdom and formed in 1981. Its contributors tag the artist dream pop, post-punk, indie pop and jangle pop. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.
Questions
How many The Wake tracks are in Zubissou Sounds?
There are 23, across 2 albums. 16 of them carry a date, running from 2002 to 2002. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 23 of these tracks have been read individually — nothing on this page is running on a default.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 23 of these 23 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.