The room › Artists › Yuko Kanai
Where to start with Yuko Kanai
Start with SAFE HARBOR-安らぎの港- — ecran, 1981. That is the track sitting closest to the centre of all 11 Yuko Kanai tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.
This page is not a discography and not a ranking. It describes exactly one thing: the 11 Yuko Kanai tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 11 tracks, it is the one nearest the average position on the four knobs the room runs on. Nothing here calls any record better than any other.
The collection leans hard on one record: 6 of the 11 tracks come from ecran alone.
Every track is filed under city pop; nothing here crosses into another genre.
The energy knob swings 40 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.
Three ways in
The one track, if you only play one
SAFE HARBOR-安らぎの港- — ecran, 1981. Of the 11 Yuko Kanai tracks here, this one sits closest to the average of all of them across the four knobs the room runs on. It is the least surprising thing in the collection, which is exactly what an entry point should be.
If you want the ambient end
Hyoukai — Invitation, 2017. The lowest energy reading of any Yuko Kanai track in the room (34 out of 100). This is as far towards ambient as the collection goes.
If you want the driving end
可愛い女と呼ばないで — ecran, 1981. The highest energy reading here, at 74 out of 100 — a 40-point swing across the collection towards driving.
Where Yuko Kanai sits in the room
Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Yuko Kanai's average coordinates and the range they cover.
| Knob | Average | Range | Low → high |
|---|---|---|---|
| mood | 53 | 33–69 | melancholy → euphoric |
| energy | 49 | 34–74 | ambient → driving |
| density | 43 | 33–62 | sparse → wall |
| head · body | 46 | 39–64 | cerebral → groove |
All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.
What is here, record by record
| Album | Year | Tracks |
|---|---|---|
| ecran | 1981 | 6 |
| Invitation | 2017 | 3 |
| Singles and more~アルバム未収録全音源集~ | 2017 | 1 |
| Feeling Lady | 2017 | 1 |
Every Yuko Kanai track in the room
| Track | Album | Year |
|---|---|---|
| RECORDER SONATA | ecran | 1981 |
| SAFE HARBOR-安らぎの港- | ecran | 1981 |
| 可愛い女と呼ばないで | ecran | 1981 |
| 走れウサギ | ecran | 1981 |
| Ginmaku no Koibito | ecran | 2017 |
| Hashire Usagi | ecran | 2017 |
| Perfect Game | Feeling Lady | 2017 |
| Hyoukai | Invitation | 2017 |
| Loving You | Invitation | 2017 |
| Morning Air | Invitation | 2017 |
| とけいくメモリー | Singles and more~アルバム未収録全音源集~ | 2017 |
Near neighbours in this room
These are the artists whose average knob position sits nearest to Yuko Kanai's in this room. It is a coordinate match, not a claim that they sound alike.
- Where to start with Kiyotaka Sugiyama — city pop, 39 tracks
- Where to start with Akira Inoue — city pop, 21 tracks
- Where to start with Yoshimi Iwasaki — city pop, 37 tracks
What the open databases say
MusicBrainz lists Yuko Kanai as a solo artist, from Sapporo, Japan and born in 1958. Its contributors tag the artist idol kayō. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.
Questions
How many Yuko Kanai tracks are in Zubissou Sounds?
There are 11, across 4 albums. 11 of them carry a date, running from 1981 to 2017. That is the whole of what this room holds — it is one person's collection, not a discography.
Is this a best-of, or a ranking?
No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.
Where do the knob numbers come from?
They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. All 11 of these tracks have been read individually — nothing on this page is running on a default.
Can I listen to these here?
Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 11 of these 11 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.