Zubissou Sounds

The roomArtists › Fujii Kaze

Where to start with Fujii Kaze

Start with Hachikō — Prema, 2025. That is the track sitting closest to the centre of all 10 Fujii Kaze tracks in Zubissou Sounds — a listening room of 14,971 tracks placed one at a time by hand, not an algorithm.

This page is not a discography and not a ranking. It describes exactly one thing: the 10 Fujii Kaze tracks that one person put in one room, and where they sit relative to each other. The starting point above is chosen by a rule you can check — of the 10 tracks, it is the one nearest the average position on the four knobs the room runs on, and where two sit equally close the one on a named record wins. Nothing here calls any record better than any other.

The collection leans hard on one record: 6 of the 10 tracks come from Prema alone.

Every dated track here falls between 2020 and 2026, so this room holds one stretch of the discography and not the whole of it.

The mood knob swings 40 points across these tracks, the widest of the four — it is the axis this artist actually travels along in this room.

10tracks in the room
5albums
2020–2026years covered
asian popfiled under

Three ways in

The one track, if you only play one

Hachikō — Prema, 2025. Of the 9 Fujii Kaze tracks here that have actually been listened to, this one sits closest to the average of them across the four knobs the room runs on. The other 1 arrived carrying the default for their genre, and averaging a placeholder in would move the centre towards nothing. It is the least surprising thing among the tracks that were read, which is what an entry point should be.

If you want the melancholy end

Casket Girl — Prema, 2025. The lowest mood reading of any Fujii Kaze track in the room (45 out of 100). This is as far towards melancholy as the collection goes.

If you want the euphoric end

Matsuri — LOVE ALL SERVE ALL, 2024. The highest mood reading here, at 85 out of 100 — a 40-point swing across the collection towards euphoric.

Where Fujii Kaze sits in the room

Zubissou Sounds does not have playlists or genres you click. It has knobs. Every track carries a position on each one, set by hand when the track was added, and you find music by setting the room to a state rather than by searching for a name. These are Fujii Kaze's average coordinates and the range they cover.

KnobAverageRangeLow → high
mood6545–85melancholy → euphoric
energy5138–75ambient → driving
density5040–65sparse → wall
head · body5642–82cerebral → groove

All four run 0–100. They are placed by a person, not derived from audio analysis or from any streaming service's feature data.

What is here, record by record

AlbumYearTracks
Prema20256
2026 World Baseball Classic20261
LOVE ALL SERVE ALL20241
Workin’ Hard20231
HELP EVER HURT NEVER20201

Every Fujii Kaze track in the room

TrackAlbumYear
Nan-NanHELP EVER HURT NEVER2020
Workin’ HardWorkin’ Hard2023
MatsuriLOVE ALL SERVE ALL2024
Casket GirlPrema2025
HachikōPrema2025
I Need U BackPrema2025
Okay, GoodbyePrema2025
PremaPrema2025
YouPrema2025
My Place2026 World Baseball Classic2026

Near neighbours in this room

These are the artists whose average knob position sits nearest to Fujii Kaze's in this room. It is a coordinate match, not a claim that they sound alike.

What the open databases say

MusicBrainz lists Fujii Kaze as a solo artist, from Japan and born in 1997. Its contributors tag the artist pop, singer-songwriter, j-pop and japanese teen pop. These are the open database's facts, not mine — you can check them against the MusicBrainz entry.

Questions

How many Fujii Kaze tracks are in Zubissou Sounds?

There are 10, across 5 albums. 10 of them carry a date, running from 2020 to 2026. That is the whole of what this room holds — it is one person's collection, not a discography.

Is this a best-of, or a ranking?

No. Nothing here is ranked and no track is called better than another. The starting point is picked by arithmetic — the track closest to the centre of all the others on four measured axes — and the rule is printed above so you can disagree with it.

Where do the knob numbers come from?

They are set by hand, one track at a time, by the person who added the track. They are not audio analysis and not a Spotify feature. Mood, energy, density and the head/body balance each run 0 to 100. 9 of these 10 tracks have been read that way. The other 1 arrived with the default for their genre and nobody has listened to them yet, so they are left out of the centre, the ends and the spread quoted above.

Can I listen to these here?

Not yet from this page. Zubissou Sounds is in private beta — the room itself plays through Spotify, and 10 of these 10 tracks are matched to a Spotify ID and ready to play the moment you are in. The waitlist form is at the bottom of this page.

Get on the list

The room is in private beta — 14,971 tracks by 5,585 artists, including these. Leave an address and you go in the queue in order. No newsletter, no marketing, no third parties: the address is used once, to let you in.